Like Some Kind of Geographic Secret Handshake

Remember when I said I don't watch TV? Come on, you remember. Well, that's over now: BitTorrent and DVD rentals are my new TV. Here's what I'm watching (contains spoilers if you haven't yet seen them).

Prison Break: I initially downloaded episodes to catch up with the first season, but now I do it because they show it on Mondays at 8 o'clock, which is about the time my girlfriend and I are on the phone. (Aww.) The show is utterly preposterous: in one recent episode we see escaped convicts Michael Scofield and Fernando Sucré falling into a river only to see them in the next scene high and dry, the former wearing different clothes giving the latter a note from his pocket. That's on top of all everything else in the second season: now that they've escaped from prison, the FBI and "The Company" and the prisoners' former guards are on their tail, each prisoner with their own story line, involving revenge, marriage, clearing their name, and so on. At least they killed off the annoying characters (Veronica Donnavan, "Tweener") but shit's ridiculous. And yet I watch.

Battlestar Galactica: I finally watched the miniseries on DVD as well as a few episodes I had already seen and can see what people like about it. Almost everything about it—the story and the morals in the story, acting, soundtrack, the effects—are great. Almost? It tends to gloss over a few things, like how Boomer landed her ship after leaving Caprica. But something tells me they explain that later on.

The Wire: Jason Kottke wouldn't shut up about it, so I watched the entire first season over a span of a couple weeks. Set in Baltimore, the first season takes us inside the low-rises of the projects, with the police trying to break down a drug operation. The second season takes us to the docks and inside the dock workers' union. (The title refers to wiretaps placed on pay-phones and pagers in the drug dealer network.) Unlike Prison Break, The Wire seems intent on killing off the most interesting characters, like Wallace in the first season (unfairly, he just wanted out of the game) and almost Kima, the black lesbian. In season two, they kill of D'Angelo and make it look like a suicide, also for wanting out of the game (but also because they were afraid he'd snitch or already had). The series introduces me to slang like "mope", "the bug", and "suction". Also interesting is how they namedrop neighbourhoods, like some kind of geographic secret handshake. (I wonder if that's how Vancouverites felt about Da Vinci's Inquest.) Other things I learned about Baltimorians: they swear every third word and are all alcoholics, especially Baltimore cops. Oh, and don't fuck with Omar.